Jam-packed with controls, knobs and switches the Wavestate provides in-depth, hands-on control for creating cutting-edge sequences. You can also modulate a wide range of controls including the Lane’s start, end and loop points for each of the notes.Ĭutting-edge expression and in-depth controls This provides you with endless possibilities, allowing you to create set patterns that morph and evolve along with their parameters. When the sequence is moving forward, each of the Lanes are combined which creates the output. With each Lane you can decide how many steps you need, as well as dictating the start, end and loop points. Each of these independent parameters is known as a “Lane”. You can also edit and morph new parameters such as shapes, gate times and the values on the step sequencer. You can now split apart timing, sample sequences and the melody allowing you to interact and manipulate each parameter independently. Wave Sequencing 2.0 provides you with multiple new ways to edit and interact with your patterns. Well, with Wave Sequencing 2.0 you can achieve that and more. But what if those same patterns could be more organic? Morphing and evolving to create something fresh and exciting. This allowed the user to create unique sounding patterns that repeated. With the Wavestation, the Wave Sequences had in-depth control over each step for duration, sample and pitch. The compact, desktop-based design provides you with a 37-note full-sized keybed for fluid playability.īuilding on the success of the Wavestation, Korg have further expanded the Wave Sequencing technology for this Wavestate synthesizer. It also boasts a wide variety of classic and modern-day filters for in-depth sound design. Nearly every knob and parameter can be modulated for in-depth control. It incorporates high-end sounds from the Kronos, Krome and brand-new samples from Korg and Plugin Guru. The Wavestate synthesizer features a huge, versatile sample library with custom sounds from Korg. This allows you to create unique and ever-evolving sequences and patterns. The Wavestate employs new and improved Wave Sequencing 2.0 technology. The Korg Wavestate Sequencing Synthesizer is a cutting-edge sequencing synth, building on the success of the Korg Wavestation.
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as is evident from the name of this app, you will require an Office 365 subscription to use this app. Recently, Microsoft has released an iOS app known as Office Mobile for Office 365 subscribers. Installing Microsoft Office 2013 On iOS (iPhone, iPad or iPod Touch) Let’s take a look at the various methods by which you can install Microsoft Office 2013 or get official MS Office support on mobile devices. In the wake of this demand, Microsoft has taken steps to provide MS Office support on mobile devices. While Microsoft Office was previously considered to be an application suite only for Windows or mac based computers, its usage on mobile devices is becoming increasingly demanding and people are finding new ways of utilizing Office files on unsupported devices using alternative apps. A few months back we explored the New Features of MS Office 2013 and later also provided you with ways by which you can Download Microsoft Office 2013 Free Trial Version. Time-lapse works in both ProRes and CinemaDNG RAW. When shooting in HD windowed mode, frame rates of 61-120 can be used.ĭoes this camera have time-lapse mode in RAW format? Maximum frame rate is 60 fps when shooting 4K DCI, Ultra HD or 1080 downscaled from the full sensor. Note: Blackmagic RAW will be supported in a future update Please refer to your resolution and aspect settings.ġ2-bit CinemaDNG in RAW Lossless, RAW 3:1 and RAW 4:1ġ0-bit ProRes up to 422 HQ, approximately 880 Mbps When using an EF adaptor, what is the crop factor? There is currently no anamorphic mode support. The camera will work with all MFT lenses that conform to the MFT mount standard. The camera will automatically switch to the high gain mode at 1250 ISO.Ĭan I use Four Thirds or Micro Four Thirds (MFT) lenses interchangeably?įour Thirds lenses have a different mount, therefore you will need to use an adaptor.ĭo mirrorless lenses with an MFT mount work with this camera, or just cinematic lenses? When does the ISO switch to the high gain mode? Our tests have found that ISO 1600 gives a very nice, filmic look. A greater degree of control is afforded by the ability to change the ISO setting in 1/3 stop increments. This provides two native settings which keep the signal to noise ratio the same, allowing you to shoot remarkably clean images in low light conditions. The camera has two analog circuits immediately after each pixel before the gain amp, one dedicated to 400 ISO, the other to 3200 ISO. The Blackmagic Pocket Cinema Camera 4K features two ‘native’ ISO settings to allow for greater image quality and better performance in lower ambient light. The logic for playing cards, to the extent of what I can see, is just to try and play as many cards as possible as the main priority, and, then, higher mana cards as the second priority (Note:- This is just from watching the bot, I obviously don't have the ability to read the source, so, I may be inaccurate). There are also some cards that won't hang the bot, but, will still be utterly useless and a waste of mana (Which, the bot stills plays), such as hero weapons (Which, it will play the card itself to invoke the weapon, but, never actually use the weapon to attack anyone). Those cards would be any cards that invoke input from the user (Such as " Tracking", which requires a card selection, Elven Archer, which, requires a target selection (For it's Battlecry), etc.). Click to expand.The bot has no logic (Currently? Unsure if the bot will just be fully random forever, or, if they'll implement some logic), so, pretty much every card is technically unsupported (as it doesn't play combos and the like), however, some cards that are literally unsupported (And using them will result in the bot just hanging). Tip: As an administrator, you can find information about the Drive for desktop installation in the Admin console. If you have problems installing Drive for desktop, restart the computer where you're having trouble and try again. To turn off auto-updates, depending on your user's device and system, follow the steps at Configure auto-updates (Windows) or Manage Chrome updates (CBCM) This is expected behavior, and you can ignore this folder.ĭrive for desktop comes packaged with Google Update (Windows) or Google Software Update (Mac) to auto-update Drive for desktop on your users’ computers. Note: You might see a folder called "localhost" when starting Drive for desktop (v.48 and later) on a Mac for the first time. Use caution deleting this folder, as it might contain content that has not yet been saved or synced. (Optional) Delete the Google Drive folder at ~/Google Drive.Hdiutil mount GoogleDrive.dmg sudo installer -pkg /Volumes/Install\ Google\ Drive/GoogleDrive.pkg -target "/Volumes/Macintosh HD" hdiutil unmount /Volumes/Install\ Google\ Drive/ exe file and deploy it in silent mode: Windows For this option, users need administrator rights to their computer. Let each user install Drive for desktop on their own machine.Install Drive for desktop on each user's computer using one of these options: This lets users see when someone is editing shared Microsoft Office files, and can help prevent editing conflicts. (Optional) At the same Admin console page, check Allow users to enable real-time presence in Microsoft Office from Google Drive for desktop.This restricts access to Drive for desktop to only devices owned and managed by your organization. (Optional) At the same Admin console page where you turned on sync, check Only allow Google Drive for desktop on authorized devices.Make sure to allow Drive for desktop and specify whether users can see Drive for desktop download links. If you haven’t already done so, turn on sync for your organization.Also make sure to use a supported browser. For the best user experience, we recommend that you upgrade to the latest OS version available for your machine. we only use -foo, simpler search but confusing in case you use the options in a consuming tool.we only use foo (simpler and less confusing since it doesn't assume a parsing format), slightly harder but not impossible to search. \ which works with man pages).įor sure we should stick to the same format for all options to avoid confusion and aid new entries addition. Also in general you can use some slightly more advanced search expression (e.g. foo=1,bar=2), therefore using the -foo in the *reference* might be confusing. b (-b)), probably to aid search.Īn argument in favor of the foo format is that while the -foo option helps with ffmpeg tools, in general you don't know how the options are parsed, for example many applications just pass the options to other tools as configuration (e.g. If you see the codec options manual, the doc sometimes uses the -foo format, in other cases it uses the foo format (e.g.: ffmpeg-codecs.1), in some cases, both formats are shown (e.g. Stefano, I do not really understand your statement. The Met: Live in HD series, which now reaches more than 2,000 theaters in 65 countries, makes the Met the world’s leading provider of alternative cinema content and the only arts institution with an ongoing global series of this scale. The Metropolitan Opera, National Repertory Orchestra, Colorado Mountain College and Lake Dillon Theatre Company join forces to bring you another season of the Metropolitan Opera Live in HD! This partnership brings ten world class opera performances to Breckenridge each year. They raucously begin to set up dinner from this good fortune, but Schaunard insists that they dine out on him tonight! These celebrations are quickly interrupted by Benoît, their landlord, who arrives demanding the rent. Colline is despondent and cold, but Schaunard is elated, arriving with food & wine, firewood and money, having earned a well-paying job with some eccentric gentleman. Their two other housemates Colline and Schaunard return. Rodolfo and Marcello, two of the four artists living together in this cramped space, are desperate to keep warm going as far as to burn Rodolfo’s latest play. The curtain rises on a dismal garret in Paris on Christmas Eve, the late 1830s. The Act I Garret © Tim Trumble/Arizona Opera We hope you come to adore it as much as we do! It’s an easy opera to love, packed with those big tunes and an outstanding balance of the intimate and the spectacular (the curtain up on Act II is regularly an applause getter in many productions). It also contains some incredible non-narrative scene-setting music, the openings of Acts II and III in particular masterclasses in producing atmosphere through sound. You’ll come to recognise his use of small musical motifs that though not highly structural, cunningly evoke characters and themes throughout the work. It offers all the hallmarks of his canon, soaring tonal melodies in lush orchestrations combined with a dissonant undertow, a hint of darkness never far away. The narrative, set around the late 1830s in Paris, has aged remarkably well with a youthful universality that has endeared it to the opera-going public more or less continuously since its 1896 premiere.īohème was Giacomo Puccini’s fourth opera and is generally considered to be his first fully mature work. It is a triumphant blend of grim reality and soaring romanticism. La bohème is a warhorse of the operatic repertory, one of the most frequently performed around the world, and for excellent reason. Adolfo Hohenstein's 1896 poster for La bohème If you have a family, create a profile for your children and make use of the parental controls feature.Īt one time, web browsers simply got you to the Internet. You may also run memory and disk scans for Spyware protection and prevention.Real-Time FeedsThe Netscape Browser takes the mystery out of Real Simple Syndication (RSS) and allows you to read and manage RSS feeds without the need of a separate news reader application.ProfilesCreate more than one profile to keep your bookmarks and passcards safe from other users. The browser will automatically let you know when there is a problem.Spyware “We want to be very careful about how we tell our data stories. Spotify is keenly aware of these issues, at least. They want it to become normalized that all of your viewing and streaming habits are recorded and analyzed.” “They definitely promote a surveillance culture. “These sorts of ads speak to larger issues of these business models,” says Christine Bannan, consumer protection counsel at the nonprofit Electronic Privacy Information Center. And that was before the Cambridge Analytica scandal brought data privacy concerns to the forefront. Data-driven advertising isn’t without controversy, which Netflix learned last year when it appeared to shame one of its users for streaming The Christmas Prince on repeat. It’s here that your privacy hackles might start to rise. “This year, we’re treating it less like a campaign and more almost like an editorial platform, for us to come out with our totally distinctive voice and let people have a moment of celebration, laughter, and levity at the end of a long year.” “In previous years we were building up the campaign,” says Alex Bodman, Spotify’s global creative director. ( Prominently as in the middle of Times Square.) And at a time when data privacy has become top of mind, Spotify is encouraging people to go public its “Overshared” initiative will prominently display the year-end stats of select users who voluntarily submit them. While previous iterations were themed-2016’s mantra was “It’s been weird” last year centered on “Goals”-this year forgoes a unifying thread. Podcasts are in, reflecting the platform’s broader push to encompass all things spoken word. The Spotify Wrapped campaign, in which ubiquitous billboards highlight unusual or unexpected stats from the company's user base, enters its third year with a few adjustments. Into that breach steps Spotify, which on Tuesday continued its now annual tradition of finding some levity among its users’ listening habits. There’s Gritty, sure, but what else? Climate change rages. For many, the year 2018 has held precious few highlights. |